Antique obsession: designers reveal the pieces to ditch now

The hunt for that perfect vintage find is a booming trend, fueled by a desire for homes that tell a story. But seasoned designers are issuing a stark warning: not all relics deserve a place in your décor. It’s time to rethink the ‘antique’ aesthetic – and here’s what’s actively detracting from your space.

Forget the granny chic: 6 antiques designers hate

The allure of the vintage market is undeniable – the thrill of the hunt, the unique character, the promise of an investment. However, indiscriminate accumulation can quickly devolve into a cluttered, dated mess. It’s a critical distinction to make: owning an antique doesn’t automatically equate to owning a stylish space.

Susan Petrie, a leading interior designer, urges a more considered approach. “If you love vintage china, commit to one pattern and display it intentionally,” she advises. “A single, beautiful plate, strategically placed, can make a far stronger statement than a shelf overflowing with mismatched pieces.” She advocates for a focus on timeless ceramics – white or stoneware – offering a clean, sophisticated contrast to the often-fussy details of older designs.

Scale matters: lamps and furniture fail

Stephanie Hunt, another prominent designer, has particular reservations about certain eras. “The scale tends to be too low, and the detail too sweet, specifically with lamps,” she notes. “Don’t fall for the Victorian-era lamps – they’re simply ill-suited for contemporary layouts.” Instead, Hunt champions lamps from the 1950s, 60s, and even 70s, citing their more manageable dimensions and a less overtly ornate aesthetic. Similar cautions apply to seating. Mid-century modern furniture, while undeniably popular, can feel jarringly small and low-slung when juxtaposed with modern furniture.

“I love pretty much everything mid-century, but be careful of the small scale and seat heights,” Hunt cautions. “They were much smaller than today’s dimensions and much lower. Adding them into current-day layouts and furnishings doesn’t always work.”

Beware the clichés

Then there’s the issue of decorative pieces. Lina Galvao, founder of Curated Nest Interiors, is vehemently opposed to inspirational quote plates. “They often read as a bit cliché,” she says. “We don’t need to be reminded of the barrage of quotes we see online daily, and what can be communicated in person is an earnest way that comes across in a more meaningful way.” Petrie echoes this sentiment, suggesting a hand-painted ceramic platter, with rich glaze or intricate detailing, offers a far more impactful and personal statement.

Finally, steer clear of overly carved furniture, particularly those leaning heavily on Victorian or Rococo styles. “Spanish and Portuguese carved pieces tend to work well with either clean-lined upholstered profiles or other pieces,” Hunt explains. “Also steer toward Louis XVI and Gustavian pieces as the lines are cleaner. You’re less likely to tire of those pieces in the long term.” Farmhouse signs, while charming in a rustic context, are generally best left where they are – avoid the “TGI Friday’s” aesthetic.

Ultimately, decorating with antiques is an art form, not a hobby. A discerning eye, combined with a clear vision for the overall design, is paramount. Don't let sentimentality overshadow your space – curate with intention, and you'll achieve a truly timeless result.